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Wednesday, December 14, 2011

References

Genres and Subgenres
                                     The genres and subgenres for this blog were identified using Teen Genreflecting as a general guideline - the editions published in 1997, 2003, and 2011 - as well as my own common sense and knowledge of the book after reading it.

References
Herald, D. T. (2003). Teen genreflecting: A guide to reading interests. Westport, Conn: Libraries Unlimited.                   


Saturday, December 10, 2011

The Craft

The Craft, directed by Andrew Fleming, 1996, ISSN 0767853466

Plot Summary
                       When troubled Sarah, played by Robin Tunney, moves into town and starts at a new Catholic school, it seems she will have difficulty yet again fitting in with her classmates.  But she is quickly befriended by a trio of girls who, she discovers, have an interest in magic and believe that she is the fourth of their coven.  They begin to spend time together casting spells and invoking the spirit to cement their union.   Awkward burn victim Bonnie, played by Neve Campbell, casts a spell for beauty.  Rochelle, played by Rachel True, casts a revenge spell on the racist bully making her life miserable.  Nancy, played by a devilishly wicked Fairuza Balk, casts a spell for power.  And Sarah, her reputation smeared by a boy who spread rumors about sexual escapades that never happened, casts a love spell in order to humiliate him.  Before long it becomes evident that Sarah does truly possess supernatural abilities, and that their spells are working.  The spells go horribly awry, none so much as Nancy's, who becomes galvanized with evil power and a total lack of conscience.  Sarah must figure out how to use her powers for good and break the union of their coven, so as to stop Nancy and the destructive spells the girls have cast, but they are hellbent on preventing this at any cost.

Critical Analysis
                           The Craft is an action-packed good time, pure entertainment more than anything else.  The witchcraft practiced in this movie is almost cartoonish at times, and not scary at all, but this is not meant to be the appeal.  This is a movie about empowerment and vengeance gone wrong, about the fury of a woman scorned, and about good triumphing over evil.  The writing is exaggerated but well-delivered by the actresses.  The performances of the main players are principally what really works in The Craft.  Robin Tunney as Sarah captures the seriousness of this character, and the shadows in Sarah's past that haunt her.  Neve Campbell as Bonnie is very believable as the shy girl with no self-esteem, and delightfully hateable as the conceited sexpot once her beauty spell takes effect.  Rachel True as Rochelle, the least dynamic of the four characters, is still plenty likable before her spell and entertaining after the coven takes a turn for the evil.  It is Fairuza Balk's performance as Nancy, however, that truly steals the show.  Nancy is poor white trash with no hope of elevating herself; she is trapped and helpless and simmering with frustration.  Her sharp tongue and frenetic energy are arresting whenever she is on screen, and after the transformation when she is drunk with power and purely destructive, her black-rimmed pale eyes gone wide and crazed, she is in full control of the movie.  The power of her performance is startling in a film that is more guilty-pleasure enjoyable than anything else.  Overall The Craft is an enjoyable popcorn movie, meaning long on entertainment value if short on true dramatic merit.

About the Director
                               Andrew Fleming is an openly gay screenwriter and director who studied film making at New York University film school. He has worked on such films as The Craft, Bad Dreams, Threesome, and Hamlet 2, among others.   He has also directed episodes of such celebrated television shows as Grosse Point and Arrested Development. 

Annotation
                  Four high school girls scorned and outcast by their peers seek revenge by forming a coven and practicing witchcraft, but this new found power soon goes horribly awry.

Genre
         Horror

Challenge Issues
                           Possible challenge issues in this movie include profanity, discussion of sex, underage drinking, violence, murder, suicide, and witchcraft. In the event of a challenge, I would consult the challenge defense file prepared for this movie. The challenge defense file would include: positive reviews from credible sources for the purpose of proving merit to the challenger; negative reviews in order to inform me on what might be challenged; a written explanation of my own rationale for including the movie in the collection as well as a summary of the plot; the American Library Association Bill of Rights; a review of my branch’s selection policy; and, as a last resort, an explanation of the reconsideration policy for my library and an official reconsideration form.

Curriculum Ties
                          N/A

Interest Age
                    Grades 8-12.

Why I Included This Movie
                                             This movie is definitely a guilty-pleasure teen classic.  I included it because, cheesy or not, there is nothing else quite like it. 

References
Andrew Fleming. (2011). Wikipedia.org. Retrieved from http://en.wikipedia.org/wiki/Andrew_Fleming                

Scream

Scream, directed by Wes Craven, 1996, ISSN 1558907254

Plot Summary
                       When a murderer known as ghost face due to his ghoulish mask starts killing off teens, Scream's group of high school kids headed up by Neve Campbell, Rose McGowan, and Skeet Ulrich know from years of classic horror movies that the only way to avoid getting killed is to behave exactly the opposite as the doomed characters in the movies.  In this way, a new twist is taken on a stale genre, as the characters reference and lampoon the horror greats even as they fall victim to the same old tricks.  There are deeper plot lines running through this movie as well, such as Neve Campbell's personal trauma stemming from her mother's murder and the fact that the supposed killer is about to be released.  The body count grows higher and higher as the movie wears on, and the more the characters think they know, the more the savvy killer proves them wrong.  Swerving towards a surprise ending in which no one might be spared, Scream is entertaining and startling from Drew Barrymore's opening scene reminiscent of Janet Leigh's performance in Psycho, to the last.

Critical Analysis
                           This film's greatest strength lies in its element of fun and sense of humor.  The gimmick of having the characters discuss horror movie cliches within a traditional horror movie is original and very well executed.  The teens from Scream feel smug in their knowledge of the genre, but one by one are proven to be just as clueless as the characters they scorn on screen.  The dialog is fast and clever, consistently funny throughout,  and the scary scenes are high on startle factor.  The acting in this film is also top notch, as the characters vacillate between comedic and dramatic performances.  Neve Campbell as Sidney is effective; she is a nervous, haunted character with a traumatic past, all too susceptible to the horror movie tricks.  Rose McGowan plays the irrepressible Tatum, bubbly and funny - her particularly gruesome death is a shame, as it takes this great character off screen.  Skeet Ulrich is intense as Billy, and Matthew Lillard is goofy and entertaining as Stuart.  Other great performances include Courtney Cox as Gale Weathers, an aggressive reporter of questionable professional standards, and David Arquette as Dewey, the hapless small town cop.  One of the best performances is put forth by Jamie Kennedy as Randy, the main horror movie aficionado, who is constantly guessing and second guessing the next twist in their real-life plot, including who might be the killer.  And of course there is Drew Barrymore's very effective opening scene, reminiscent of Janet Leigh's demise in Psycho.  This movie is not only hilarious and completely original in a genre filled with the same old tricks, it will scare you when you least expect it.

About the Director
                              Wes Craven was born in Cleveland and raised in a religious family.  He earned his Master's from Johns Hopkins and he became a professor.  He also worked as a sound editor in a post-production company and, through this job, developed a passion for horror films.  His debut film was The Last House on the Left.  Some of his other hits include Nightmare on Elm Street, one of the horror movie greats, and Scream.  Through these films and others, he developed a reputation as a master of the horror genre.  He and his ex-wife have two children. 

Annotation
                  A masked killer is knocking off teens, and the horror-movie savvy survivors decide they can evade this fate by doing the opposite of what naive movie characters do.  What follows is a witty satire of horror movies that will scare and amuse the viewer.

Genre
          Horror, Dark Comedy

Challenge Issues
                           Possible challenge issues in this movie include profanity, sex, underage drinking, graphic depiction of violence, and murder. In the event of a challenge, I would consult the challenge defense file prepared for this movie. The challenge defense file would include: positive reviews from credible sources for the purpose of proving merit to the challenger; negative reviews in order to inform me on what might be challenged; a written explanation of my own rationale for including the movie in the collection as well as a summary of the plot; the American Library Association Bill of Rights; a review of my branch’s selection policy; and, as a last resort, an explanation of the reconsideration policy for my library and an official reconsideration form.

Curriculum Ties
                           Satire

Interest Age
                   Grades 9-12.

Why I Included This Movie
                                             This movie became an instant horror classic, fresh and funny and completely original.  Teens will respond to the humor as well as the graphic and always creative violence.

References
Wes Craven. (2011). Biography.com. Retrieved from http://www.biography.com/people/wes-craven-193498 

The Breakfast Club

The Breakfast Club, directed by John Hughes, 1985, ISSN 025195018647

Plot Summary
                       Five vastly different teens - a jock played by Emilio Estevez, a princess played by Molly Ringwald, a nerd played by Anthony Michael Hall, a freak played by Ally Sheedy, and a rebel played by Judd Nelson - find themselves stuck in detention on a Saturday morning.  At first it seems they have nothing in common and they are irritable and vicious with each other, needled by Judd Nelson's character who is aching, as always, to stir up trouble.  But their mutual hatred of the principal and the circumstances they find themselves in lead to unlikely bonding.  One by one they peel away the layers of their stereotypical roles to find that they are more alike than they ever could have imagined - principally in their feelings of unhappiness and inadequacy.  This classic movie is not only about adolescence,  but about identity and acceptance and the frailty of humanity overall.

Critical Analysis
                           Despite the seriously dated clothes and hair, the soundtrack, and the general eighties aesthetic that is pervasive in this classic film, The Breakfast Club rings just as true now as it did when it was originally released in 1985.  The themes of isolation, parental and societal pressure, self-esteem, and identity are just as relevant to young adults today.  In this way The Breakfast Club is timeless. This is a cerebral movie based more on character development than action.  The dialog is intelligent and witty - and very wordy, but not overly so.    The performances in this movie are legendary - most notably Molly Ringwald as Claire, the spoiled princess who slowly reveals herself to be a secret mess despite her outer confidence, and Judd Nelson as John Bender, the delinquent rebel with a cruel streak whose anger and scorn propel this story.  All of the other players are vulnerable and enthralling in their roles as well - Ally Sheedy as the shy freaky girl who is transformed by the end into a pretty, "normal" girl (my only problem with this movie's message), a tender young Anthony Michael Hall as the overachieving, super intelligent nerd who has to put up with bullying from the jocks, and Emilio Estevez as the untouchable, popular jock who seems to have it all.  They play both their stereotypes and their true inner characters with expert ability, making this not just another teen movie, but an important exploration into the external and self-imposed pressures teens have to live through, and the ways we relate to each other as humans.

About the Director
                               John Hughes grew up and graduated from high school on the outskirts of Chicago.  He attended college in Phoenix, Arizona, but dropped out to move back to Chicago and work as a copywriter.  His writing career began when he sold a story to National Lampoon Magazine about a family vacation, which later became the classic comedy National Lampoon's Vacation starring Chevy Chase.  His directorial debut was Sixteen Candles, starring an unknown Molly Ringwald.  This movie was extremely popular with teens, as it depicted high school in such realistic terms.  He followed Sixteen Candles with The Breakfast Club, another huge hit, and from there went on to create a number of classic comedy films and launch the careers of a number of unknown actors.  Known as the Brat Pack, these actors were Rob Lowe, Demi Moore, Andrew McCarthy, and the cast of The Breakfast Club, Molly Ringwald, Ally Sheedy, Judd Nelson, Anthony Michael Hall, and Emilio Estevez.  Some of Hughes' most celebrated films include Pretty in Pink, Ferris Bueller's Day Off, Planes, Trains, and Automobiles, and Home Alone.  Although he continued to make films, he withdrew from the public eye in 1994 and passed away of a heart attack in 2009.  He was survived by his wife Nancy, their two children, and four grandchildren.

Annotation
                  Five teens, each representing a different stereotype, find themselves trapped in detention on a Saturday.  Although they initially seem to be very different, the more they talk, the more they discover that they are alike in ways that surprise them.

Genre
         Comedy/Drama - coming of age

Challenge Issues
                          Possible challenge issues in this movie include profanity, discussion of sex, underage drinking and drugs, and general teen disobedience. In the event of a challenge, I would consult the challenge defense file prepared for this movie. The challenge defense file would include: positive reviews from credible sources for the purpose of proving merit to the challenger; negative reviews in order to inform me on what might be challenged; a written explanation of my own rationale for including the movie in the collection as well as a summary of the plot; the American Library Association Bill of Rights; a review of my branch’s selection policy; and, as a last resort, an explanation of the reconsideration policy for my library and an official reconsideration form.  

Curriculum Ties 
                           Character development and stereotypes.

Interest Age
                    Grades 9-12, and beyond.

Why I Included This Movie
                                              The Breakfast Club is an undeniable classic that will continue to resonate with young adults as long as they are watching it, regardless of how old it is.  It belongs in any collection.

References
John Hughes. (2011). Biography.com. Retrieved from http://www.biography.com/people/john-hughes-476258     

10 Things I Hate About You

10 Things I Hate About You, directed by Gil Junger, 1999, ISSN 0788817795

Plot Summary
                       Sunny, popular Bianca, played by Larisa Oleynik, could not be more different from her rebellious, cynical older sister Kat, played by Julia Stiles, and they war constantly over every issue imaginable.  The main bone of contention comes into play with their strict father's policy that Bianca cannot date until Kat starts dating - and Kat, repelled by the boys at her high school, has no interest in this at all.  Enter Bianca's tutor Cameron, played by Joseph Gordon Levitt, who forms an instant crush on Bianca despite the fact that she is hung up on another, more popular boy.  Bianca tells him about her father's dating policy and Cameron hatches a plan in which he teams up with Bianca's crush and together they pay the outcast Patrick to woo hard-as-nails Kat.  Cameron is sure he can win over Bianca once she is allowed to date.  Patrick is immediately rebuffed and then intrigued by Kat's obvious intelligence and darkly sarcastic attitude, similar to his own, and finds he no longer cares about the money.  With moments of tenderness, romance, and tons of laughs, this fast-paced adaptation of Shakespeare's Taming of the Shrew is witty, modern, and well-acted, entertaining from beginning to end.

Critical Analysis
                           10 Things I Hate About you is one of the many teen romance movies involving a dark horse, unpopular girl and the unlikely guy who wins her over, no doubt, but there is more to this film than fluff and stock characters.  Kat, wonderfully portrayed by Julia Stiles, who excels as a deadpan, razor-sharp cynic, is a complicated character that the viewer learns more about as the movie unfolds.  There is a past that made her this way, giving her depth and dimension.  Heath Ledger's character, Patrick Verona, undergoes this same type of transformation for the viewer once his past is revealed.  Both of them revel in their reputations and have no interested in conforming or changing, and the truth is that by the end of the movie they are both basically the same - except in love.  Larisa Oleynik as Bianca and Joseph Gordon Levitt as Cameron play more typical characters, the adorable, shallow girl and the hapless, smart boy, but they too are deeper than they appear.  Bianca in particular grows up by the end of the movie, having come to terms with the fact that popularity is not the only thing that matters and Kat is more than simply a bad attitude in her way.  The supporting cast features many wonderful performances by talented actors including Alison Janney as a blunt high school counselor, Larry Miller as the girls' paranoid father, David Krumholtz as Cameron's witty sidekick, and Andrew Keegan as the vapid object of Bianca's affection.  The dialog is quick and sharp, current for teens but not so much as to alienate adult viewers.  Well-acted and a very successful adaptation of Shakespeare's classic play Taming of the Shrew, this movie is great to watch many times over.

Information About the Director
                                                     Gil Junger, born in New York City, made his directorial debut with 10 Things I Hate About You.  He works for Touchstone Pictures and has directed other films, such as Black and If Only.  He has also directed many made for television movies, such as My Fake Fiance and, most recently, Teen Spirit.  Most of his work has been on television, on a number of shows including Zoe, Duncan, Jack, and Jane, According to Jim, and 8 Simple Rules, among many others.  He worked on the television adaptation of 10 Things I Hate About You as well, in 2009.

Annotation
                  Cynical Kat has no interest in dating, which is a major problem for her popular little sister Bianca, who is not allowed to date until Kat does.  Bianca participates in a plan with one of her many crushes to pay someone to woo her hard-edged older sister and free her from her father's strict rule.

Genre
          Comedy, Adaptation

Challenge Issues
                           Possible challenge issues in this movie include profanity, discussion of sex, and underage drinking. In the event of a challenge, I would consult the challenge defense file prepared for this movie. The challenge defense file would include: positive reviews from credible sources for the purpose of proving merit to the challenger; negative reviews in order to inform me on what might be challenged; a written explanation of my own rationale for including the movie in the collection as well as a summary of the plot; the American Library Association Bill of Rights; a review of my branch’s selection policy; and, as a last resort, an explanation of the reconsideration policy for my library and an official reconsideration form.

Curriculum Ties
                           Shakespeare - modernization and adaptation

Interest Age
                    Grades 7-12, and beyond.

Why I Included This Movie
                                              This is a great example of a movie for and about teens that is not vapid or typical.  There are deeper themes and issues addressed, and it is well-written, well-acted, and successfully adapted from Taming of the Shrew.  Young adults will respond to the movie and possibly seek out the play once they realize it was adapted.

References
Gil Junger. (2011). Wikipedia.org. Retrieved from http://en.wikipedia.org/wiki/Gil_Junger

Drop Dead Gorgeous

Drop Dead Gorgeous, directed by Michael Patrick Jann, 1999, ISSN 0780628306

Plot Summary
                      Quintessential small-town nice girl Amber Atkins, played by Kirsten Dunst, is determined to win the Sarah Rose Cosmetics American Teen Princess Beauty Pageant and make her way out of claustrophobic Mount Rose, Minnesota into the big time.  Her chief ambition is to be a newscaster just like Diane Sawyer, her idol.  Amber's major competition is the perfectly poised and perfectly nasty Becky Ann Leeman, played by Denise Richards, whose mother Gladys Leeman, played by Kirstie Alley, also happens to be a former Mount Rose American Teen Princess and the pageant organizer.  Things quickly become cutthroat during pageant preparations as girls begin dropping like flies and Amber finds death threats in her locker at school.  Everything points to the Leemans, but their prominence in the town is undeniable so Amber is on her own.  A star-studded cast rounds out this hilarious and irreverent mockumentary, featuring spot-on comedic performances by Allison Janney, Ellen Barkin, Brittany Murphy, and the then unknown but now wildly successful starlet Amy Adams in her first role, along with many more.

Critical Analysis
                           This film really could not be more spot-on.  The mockumentary format is perfectly executed and suits the subject matter exactly.  Kirsten Dunst as Amber Atkins is sweet, endearing, and gutsy.  Ellen Barkin as her mother is a lovable chain-smoking mess.  Allison Janney as the man-crazy, foul-mouthed neighbor basically steals the show.  Denise Richards as Becky Ann Leeman oozes fake charm and very real hostility.  Kirstie Alley as Becky's mother is the perfect overbearing, corrupt show mom.  Sam McMurray as Becky's sleazy dad completes their dysfunctional little family.  Amy Adams is the bouncy, adorable, empty-headed cheerleader - it is easy to see why her career took off the way it did.   Brittany Murphy is dorky and earnest at its best.  Each character achieves their role wonderfully so that every scene is as good as the last, and the Minnesota accent is executed flawlessly.  The writing is brilliantly done - natural speech peppered with hilarious lines and subtle jabs so seamlessly written that you have to watch the move a few times to catch all of it.  This move is also extremely irreverent and dark, a black comedy for sure.  Scenes such as Becky Ann dancing with a stuffed figure of Jesus on the cross to Can't Take My Eyes Off of You, the contestant who is beaned in the head by a falling light in the middle of her sign language interpretive dance rehearsal, Ellen Barkin's burned skeletal hand fused to a beer can after their trailer is attacked, the creepy judge who cannot stop talking about young girls - this kind of grim violence and dark subject matter is handled cheerfully and with tongue-in-cheek humor, making this movie a rollicking good time from beginning to end.

Information about the Director
                                                    Michael Patrick Jann is a writer, director, and actor who was born in Albany, New York.  His best known work is Drop Dead Gorgeous.  He also directed many episodes of successful television show Reno 911! and a number of sketches on the show Little Britain USA. Additionally, he was a cast member of MTV variety show The State.  He is married and has one son.

Annotation
                  The competition in this small-town beauty pageant is cutthroat as the girls compete for top spot against front runner Becky Ann Leeman, who will do anything to win - literally.  This mockumentary will keep you laughing from beginning to end.

Genre
          Comedy


Challenge Issues
                           Possible challenge issues in this movie include profanity, violence, discussion of sex, and sacrilegious images. In the event of a challenge, I would consult the challenge defense file prepared for this movie. The challenge defense file would include: positive reviews from credible sources for the purpose of proving merit to the challenger; negative reviews in order to inform me on what might be challenged; a written explanation of my own rationale for including the movie in the collection as well as a summary of the plot; the American Library Association Bill of Rights; a review of my branch’s selection policy; and, as a last resort, an explanation of the reconsideration policy for my library and an official reconsideration form.


Curriculum Ties
                          The form of mockumentary, satire, and black humor.


Interest Age
                   Grades 8-12, and beyond.


Why I Included This Movie
                                            This mockumentary captures and demonstrates through satire the extreme competition of adolescence perfectly. The relationships between characters are endearing in their dysfunction and tenderness, giving this film merit beyond the irreverent plot line. It is consistently hilarious. Teens will love it for its fearless sense of humor.


References
Michael Patrick Jann. (2011). Wikipedia.org. Retrieved from http://en.wikipedia.org/wiki/Michael_Patrick_Jann


Halo: Combat Evolved

Halo: Combat Evolved, developed by Bungie Studios and published by Microsoft, released 2001.

Summary
               The plot of the first of the legendary Halo franchise involves a conflict between the human race and a race of aliens called The Covenant.  At the time this game takes place (the 26th century) earth has become overpopulated and humans have colonized other planets.  Halo, an artificial world named because of its ringed shape, is the setting for this faction of the war between humans and aliens.  The main character, Master Chief Petty Officer John-117, or Master Chief, is occupied by the player as this is a first person shooter game.  Following a crash landing, he is stranded on Halo and wages war against the aliens trying to wipe out the human race.  The main objective is to destroy the aliens before they figure out how to reach Earth.   There are multiple, complex levels with tons of room in which to navigate and several different choices of sophisticated weapons as well as modes of transportation. 

Critical Analysis
                           This game became an instant classic very quickly after its release, setting the bar for future first person shooter games.  At the time it was groundbreaking in its visual rendering, attention to detail, voice acting and sound effects, and overall quality of play.  The world created for Halo is completely unique, vast enough to allow for a great deal of replay, and rich with detail.  From the beautifully rendered landscape, to the accurate look and feel of the weapons discharging, to the articulation and interactive participation of other characters aiding Master Chief, the player becomes absorbed in this world.  The story line is also superb - which is probably why an entire line of comic books was created based on the Halo franchise after this game was released.  The acting is another component that is superior to any game that preceded Halo.  The voice actors give believable performances and there is background chatter and sound effects that contribute to the lifelike feel of this game.  There are many options for play, such as deathmatch mode, and multiple player mode both in person as well as online.  The fact that it can be played online is another element of Halo that was brand new and galvanizing to video gamers when it was released.  In addition to all of this, Halo is the type of game that is completely accessible to players who are not lifelong gamers.  It is easy to learn and master, rather than so difficult it becomes frustrating as some of the more sophisticated games are.

Why I Included This Game
                                            Without a doubt, Halo is one of the classics of the first person shooter games.  Rated mature like most modern games, it is very popular with all age groups, young adults in particular.  Halo was a game-changer, so to speak, when it came out, and no video game collection would be complete without it.

Bioshock 2

Bioshock 2, by 2K Games, released 2010.

Summary
               This game follows up the celebrated Bioshock.  The story continues nearly a decade later in the underwater separatist commune known as the Rapture.  Rapture has gone rogue and is now a dangerous place featuring psychotic drug addicts known as splicers whose corpses can be harvested for a tonic called ADAM, the fearsome enemy Sofia Lamb, and a host of little girls called Little Sisters who are being molded by Lamb into an army promoting her beliefs.  The Little Sisters frequently harvest for ADAM.  The character inhabited by the player is known as Big Daddy and is on a mission to find the Little Sister that he abandoned years ago.  If he does not find his Little Sister in the allotted amount of time, then he will lapse back into a coma.  Throughout the game Big Daddy comes across many Little Sisters, who he can rescue, protect, and/or harvest for their supply of ADAM, all of which give the player power in varying degrees.  This is a first person shooter game, meaning that the player sees through his character's eyes and moves through his body. 

Critical Analysis
                           The first Bioshock was extremely celebrated, so the sequel was hotly anticipated.  Some were disappointed and claimed that it wasn't much different than the first, but mostly the reviews were overwhelmingly positive in terms of continuation of storyline, advances in the first person shooter element, overall aesthetic including elements such as the music, and more than anything the gorgeous visual representation.  Bioshock 2 takes the original story and makes it personal by allowing the player to become one particular Big Daddy character.  His quest to find his lost Little Sister provides depth as well as mystery, since the player cannot be sure who is the correct Little Sister.  The aesthetic appeal of this game is perhaps most notable of all.  Rapture is a now decrepit underwater wasteland, trapped in time due to the disconnection with the outside world, but also decaying, giving an eerie effect.  The rendering of the place, the painstaking details such as Big Daddy's ghostly reflection as he passes by windows, the incredible articulation of the Little Sisters and Sofia Lamb - all of this is stunning.  There is a dark pall over everything and light is luminous and soft when it appears, such as the light that shines from the Little Sisters' empty eyes.  The artistic merit of this video game cannot be overstated.  It is haunting and unlike anything else.  This alone makes it worth playing, just to explore the environment created for the continuation of an arresting story.

Why I Included This Game
                                             Although this game is rated mature and not necessarily geared specifically towards young adults, the technical sophistication, first person shooter element, and extreme popularity of the first version make it appealing to all age groups.  In particular first person shooter games are quite popular with this age group.

Rise Against "Sufferer and the Witness"

Rise Against "Sufferer and the Witness," released by Geffen Records, 2006.

Summary
               Rise Against's album Sufferer and the Witness, their third album, embraces the punk and hardcore aesthetic of their previous work, but takes it further with longer, more mature melodies and slowed down, nearly acoustic moments.  Their lyrics are still affecting and anti-establishment, a call to action for their listeners to want more from life and to go after it despite feeling outcast and misunderstood, such as their track Ready to Fall.  There are songs that deal with raw emotion, such as the haunting Roadside, in which Tim McIlrath duets with fellow Chicago vocalist Emily Schambra.  And there is the good old-fashioned characteristic driving fury of tracks like Survive and Brick.  This album has it all, and Rise Against veterans will not be disappointed.

Critical Analysis
                          Rise Against achieves a balanced blend of punk, rock, and hardcore, resided over by Tim McIlrath's completely distinctive voice.  What sets him apart from many other vocalists in this genre is the fact that he can actually sing.  His voice displays a great deal of range, from the characteristic hardcore scream, to anguished shouting, to slow, melodic singing, effortlessly.  Rise Against has worked their way into the mainstream, something of a faux pas for bands of the punk, hardcore, anti-establishment vein, but they have not changed their aesthetic to gain mass appeal.  Rather, they are simply that good.  Their songs tend towards revolutionary messages but are catchy and well-executed enough to win over listeners who may not be as interested in their message as someone dedicated to the punk genre.  The musicians backing up Tim McIlrath are just as talented as he is, creating a powerful force of musical talent, aesthetic appeal, and strong message.  Overall this album will not disappoint Rise Against fans who were worried they had sold out and gone mainstream, and will net even more listeners as they discover this band's power and appeal.

Why I Included This Album
                                              Rise Against is popular with many age groups, but in particular their fan base is young because of their anti-establishment message.  Young adults respond not only to the driving force of their music, but the message within it as well.  This is why I included it.  Also, the vocalist who duets with the lead singer in the track Roadside, Emily Schambra, is my best friend so I am quite familiar with this band and what they represent, as well as how appealing they are to teens.

Spin Magazine

Spin, published by McEvoy Group, LLC, ISSN 0886-3032

Content Summary
                              Spin is a magazine dedicated to popular music, historically focusing on new and up-and-coming trends such as indie music and hip hop.  Classic music and rock legends are also paid tribute in the pages of Spin.  There are features on pop culture figures that branch outside of music, burgeoning musical scenes, and other popular phenomena that keep the magazine relevant and cutting edge.  This magazine is largely print content with accompanying photographs, but there is also plenty of advertising for music equipment, fashion, and alcohol.  Music reviews also make up a large part of Spin, so anyone wanting to keep track of what is next would do well to read this publication. 

Critical Analysis
                           Definitely geared towards younger readers and the culture of the new generation, Spin is not so young as to be isolating to other age groups.  The appearance of Spin is much less frenetic than a lot of magazines.  There is a clean edge to their layout, a squared-off orderliness that makes this magazine attractive and enjoyable to read.  The reviews of music are varied by genre, so although as previously mentioned this is a young magazine, it is not pigeonholed in any particular scene.  Rather, the thrust is what is next, what is current, what to watch for.  The photographs are highly stylized, professional, and reminiscent of fashion photography.  Features outside the realm of music appear in each issue, such as a holiday gift guide in the December 2011 issue.  Advertising is definitely present but not obnoxiously pervasive, and not the main focus of the magazine.  Overall this magazine is a well-executed guide to what is hot in the music world and pop culture today.

Why I Included This Magazine
                                                    Spin's history of pointing to what is next and featuring bands and artists that other magazines wouldn't necessarily take a risk on makes it a perfect choice for young adults, who are most interested in the up-and-coming.

Literature Resource Center

Literature Resource Center, from Gale Cengage Learning


Summary
                This subscription database made available through the Dallas Public Library system is a comprehensive and current literature resource geared towards high school and undergraduate students, but applicable no matter what the age.  Some of the resources available in this database include biographical entries on authors, full text articles and essays from scholarly sources, a variety of materials on literary criticism of every kind, overviews and reviews of literature, interviews, cross referencing tools that allow users to identify authors and works that share characteristics such as theme and genre, and a large collection of literary works in full.  The format is clear and diverse, so as to be applicable to a variety of users.  Many convenient features are included, such as a cite button, a quick link to email what you've found, and so on.

Evaluation
                 The user interface for Gale Cengage's Literature Resource Center is clearly laid out and easy to understand.  A teenager comfortable with the Internet should have no problem manipulating it initially, although some of the more complex search features might need to be explained by a librarian to ensure they are used properly and to their full extent.  When a search term is entered, such as an author's name, the results come up under labeled tabs so that the content is clearly divided into the following categories: Literature Criticism, Biographies, Topic and Work Overviews, Reviews and News, Primary Sources and Literary Works, and Multimedia.  The number of hits for each one is displayed underneath the category in parentheses.  An impressive number of entries in each category came up for the author I searched.  The multimedia hits were particularly interesting and included, among others, website lists, videos, broadcast transcripts, and tables and charts.  This resource is thorough, current, and above all user-friendly.

Why I Included This Database
                                                  This database is universally applicable, across all curricula and courses of study, and teens will find it easy to use.  In fact I will most likely be using it as a grad school student now that I have discovered it.

Thrasher Magazine

Thrasher Magazine, published by High Speed Productions, ISSN 0889-0692

Content Summary
                             Thrasher deals mainly with skating, but also with teen pop culture, music, and fashion.  The magazine regularly reviews bands and skateparks, interviews professional skaters, and is known for high quality skateboarding photography.  The format is active and energetic with page after page of skateboard tricks shown in panels or full page spreads, advertisements for skater clothes such as shoes, and various gear for skateboards such as custom boards and wheels.   Other features include interviews with various pop culture figures such as a graffiti artist.  The professionals featured as well as the amateur kids set the tone for the magazine - scruffy, tattooed, and proud of it.

Critical Analysis
                           Thrasher is dedicated to skater culture, both the professional side and the high school kid side.  The format is slick but edgy.  The language is quick and offbeat, and though there is plenty of print content such as reviews, interviews, and articles, none of it is lengthy enough to eclipse the profusion of photography that dominates this magazine.  Shots of skaters flying through the air, wiped out, injured, suffering the scorn of bystanders, and so on are the heart of Thrasher.  There is plenty of marketing happening here, just as much as a girl's magazine actually, and most of it is fashion - namely shoes.  There is also a catalog of Thrasher products in the back of each issue (hats, t-shirts, hoodies, and girly products such as panties) and a list of stores that carry Thrasher products.  Also notable is the two page spread of photos depicting a girl who is as close to naked as possible without being naked in the September 2011 issue.  It is an advertisement for skateboard wheels, although no wheels are pictured.  The music featured is largely punk (such as an interview with The Dwarves), indie (an interview with Kelley Deal of The Breeders and The Pixies) and heavy metal (the logo for Slayer appears in one photo shoot).   There are also occasional random photos of odds and ends, such as pigeons pecking at what appears to be vomit - very appealing to teenage boys.  All of these elements make this magazine current, relevant, and absorbing to teens who skate or want to skate.

Why I Included This Magazine
                                                    Thrasher Magazine is very well respected and established.  It is also subversive, which makes it relevant to young adults. 

Nirvana "Nevermind"

Nirvana "Nevermind," released by Geffen Records, 1991.

Summary
               Even before Kurt Cobain's controversial suicide propelled Nirvana into the fame stratosphere forever, this album was groundbreaking and infinitely powerful.  It revolutionized a generation.  Nevermind ushered in the mainstream era of grunge, characterized by discordant, dirty guitar, raw urgency to the vocals, and a relentless wall of sound.  The teen angst anthem Smells Like Teen Spirit heads up this album, followed by such classics as In Bloom, Rape Me, and Come As You Are.  Kurt Cobain's voice ranges from primal scream to soft, almost pleading, in tracks such as Something in the Way and Polly.  Twenty years later, these songs are still regularly played on the radio, a testament to how lasting Nirvana's influence truly is.

Critical Analysis
                           This album hit my generation like a shockwave.  We had never heard anything like it before.  Kurt Cobain's lyrics were seemingly simple but galvanizing to the generation he was talking to.  The urgency and pain and sheer power in his voice are still contagious.  He poured his troubled childhood, his struggles in adulthood, and his general distaste and dissatisfaction with everything, including his own success, into his music.  The origin of his emotion was very genuine and, as such, no one has sounded quite like him since.  Dave Grohl, now front man of the highly successful band Foo Fighters, was a powerhouse drummer creating the backbone of these songs, and Krist Novoselic's work on the bass was strong and melodic.  Though there have been thousand of imitators trying for the Nirvana aesthetic, there was some particular chemistry of these three musicians that comes through in the music and cannot be replicated.  The magnetism of this group and this album is undeniable and, twenty years later, Nevermind is still arresting and completely relevant. 

Why I Included This Album
                                              This album is so classic and timeless, and such an anthem of adolescence, charged up with anger and rebellion as it is, there was no choice but to include it.

Seventeen Magazine

Seventeen Magazine, published by Hearst Magazines, ISSN 0037-301X

Content Summary
                              Seventeen Magazine is a magazine for real teenage girls.  While it is true that most of the articles, advertisements, and features involve beauty and fashion, these items are geared not towards a perfect ideal but towards actual girls and their actual bodies.  Regular girls are frequently featured for their style, talents, and so on.  Plus-size or curvy models are almost as common as thin models.  Finding a sense of style that fits the reader's respective body type is emphasized rather than diet tips or advice on how to change the way you look.  The layout is fun and energetic and there are features on relevant topics such as prom and quinceaneras, again with tips on how to find a dress that suits your unique personality and body type.  There is also a definite concentration on what is affordable and accessible for the average teenage girl, as far as clothes, beauty products, and accessories.  Readers of this magazine will come away informed and, most of all, entertained.

Critical Analysis
                           Seventeen Magazine, although definitely a beauty and fashion marketing blitz, is more down to earth than most other fashion magazines.  The overall message is that you are beautiful the way you are - now here is how you can keep up with trends and enhance your natural beauty without breaking your wallet.  Most advertisements include a plus-size model along with the standard skinny ones, and the real girls who are featured actually look like regular girls with realistic teenage bodies.  There are features and articles on relevant and uplifting issues, such as the one in the November 2011 Seventeen about a group of high school girls who fought back against a so-called "smut list" published on Facebook rating them by their body parts.  Other articles from recent issues include a story about a girl who was held hostage in her school, advice on how to get through the first year of college without drama, and a piece on teenage girls who go missing and how to protect yourself from dangers like this.  There are also several nods to anti-bullying through advertisements for various products, interviews with stars, and other little touches.  While it is true that the most prevalent message in this magazine is how to look pretty, there is a tone of self-acceptance and nonconformist beauty that is pervasive, and overall makes for a more substantial experience than some other fashion magazines.

Why I Included This Magazine
                                                    Seventeen Magazine is a classic with a long reputable history behind it.  It is geared towards the average young girl so it hits as wide an audience as possible.  This made it a no-brainer to include in my collection.

Kelly Clarkson "Stronger"

Kelly Clarkson "Stronger," released by RCA, 2011

Summary
            This highly anticipated album, Kelly Clarkson's fifth, delivers a collection of songs that are upbeat, catchy, and infused with the power and confidence that is present in all of her albums. Emotionally-charged messages of self-esteem and never giving up are infused with contagious pop/rock dance beats.  The first single from this album is Mr. Know It All, a song that fights back against all guys who ultimately disappoint.  Her voice is just as enormous and breathtaking as ever, and she even co-wrote five of the songs on this album, showing that she continues to expand and grow as an artist. 

Critical Analysis
                           Kelly's ultimate appeal is all wrapped up in what is natural about her.  The first winner of American Idol, it is obvious that she is a naturally talented singer.  Her voice is rich and strong and completely distinctive.  She is also a natural beauty, and has suffered slings and arrows due to the fact that she is not supermodel thin - attacks she has weathered with honesty and grace.  This album is another anthem of self-empowerment leveled against her critics.   The message she sends is an important one, and teens stand to benefit from her comfort with herself as well as her struggle to get there.  After a few listens to this collection of songs, you'll find yourself singing along and hitting repeat on your favorite tracks.

Why I Included This Album
                                               Kelly Clarkson is a great role model for teens and her music is catchy and popular.  She is wholesome, but honest and fearless, and overall great to listen to. 

Teen Vogue

Teen Vogue, Published by Conde Naste, ISSN 1540-2215

Content Summary
                            Teen Vogue, basically a junior version of Vogue Magazine, is chock full of fashion tips, advertisements, what's up and coming, reports on the stars and what they like, and more.  There are blurbs that can be read in mere moments, tons of full page ads providing guidance on trends in the fashion world, interviews and articles, and goodies such as perfume samples galore.  Teenagers will find hours of content to pore over in this thick, slick magazine published in a slightly smaller format than the parent magazine, Vogue.  There is a maturity evidenced in the content and tone that will remain relevant to teens right into college, perhaps owed to the fact that the infamous Anna Wintour, editor of Vogue, is the editorial director of Teen Vogue as well.  Teens looking for a magazine that is mature enough for adults but geared towards teen interests and trends need look no further.   

Critical Analysis
                           This magazine fairly vibrates with frenetic energy.  The pictures are close-up, filled with action and movement, offset at angles, so that the skinny, beautiful models and dizzying array of products seem to throb upward off the page.  The articles, interviews, and editorials are so short and unobtrusive that in flipping through the pages, this seems almost to be a magazine of nothing but advertisements and marketing towards teenagers.  Beauty products reign this publication: nail polish, make-up, hair care, clothes, and tons of perfume.  In addition to sometimes racy perfume ads, there are several different perfume samples per magazine, the result being that they mingle and the magazine emanates a nose-tingling indeterminate sweet scent.  There are articles of some depth hidden in and among the glossy ads, however, such as one involving parents who are neglectful or absent in the September 2011 issue.  Francis Bean Cobain's struggles with her famously wild mother Courtney Love are the touching off point for this piece, followed by stories from real life teens who have had this issue with their own parents.  Others article topics in recent issues include one on sibling rivalry involving Pippa and Kate Middleton, how to deal with feeling left out if someone unfriends you on Facebook, and a designer who found inspiration through the loss of her father.  Without a doubt, though, the main thrust of this publication is beauty and fashion, so readers who are looking for something to flip through in an airport or during other downtime will be satisfied, whereas readers looking for something with more weight will want to search elsewhere.

Why I Included This Magazine
                                                    This magazine is a very slick, professional, up-market publication geared towards young girls who are interested in being as adult as possible.  As this constitutes a large number of young girls, I felt it was an obvious addition to the collection.
              

Skin and Other Stories

Dahl, R. (2000). Skin and other stories. New York: Viking. ISBN 0670891843


Plot Summary
                      A woman who kills her husband with a frozen leg of lamb, then serves the murder weapon to the hungry police, a black mamba snake who nurses milk from a cow, a man on a train confronted with his childhood abuser decades later, a passenger jumping from a ship into the treacherous sea in order to save himself from financial ruin – these stories depict a motley group of characters at their best, worst, and most calculating moments. There are stories of murder, of incredible windfall, incredible loss, treachery, deceit, and delicious cunning. Above all there is the element of surprise – it is impossible to guess how a tale will end or what the next tale will hold. This collection of stories will make the reader laugh, recoil, and cringe, and most of all, it will make the reader keep turning the pages to see what could possibly be around the next corner.


Critical Analysis
                           Roald Dahl is best known for his children’s fiction and its elements of the fantastic and irreverent. This collection of short stories, geared towards teen readers but with a much more adult tone than his books for younger children (such as Charlie and the Chocolate Factory and James and the Giant Peach, two of his most famous). The same quality of fun and whimsy exists in these stories, but there is a vein of darkness running through them that brings the maturity and sophistication level up significantly. He pulls no punches with his discussion of murder, death, destruction, and cruelty. There is a story in which a dog is killed, a story in which a man is murdered by his normally docile wife, a story about a man jumping unwittingly to his death, a story with scenes of horrific childhood hazing and abuse, a story in which a man invents a machine that allows him to hear plants screaming as they are killed, and so on. But despite all this darkness, there is enough of his characteristic wry humor to avoid making the collection too heavy. The writing is crisp and clean, just as it is with all of his work, and his characters are amusing and completely original. The stories themselves are concise, moving at a brisk pace so that even the longer ones seem to fly by as you are reading them. Overall this collection is very satisfying, a nice stepping stone for teenagers who read and loved Dahl when they were younger and are looking for something more serious to sink their teeth into.


Reader’s Annotation
                                 From murder to mayhem to revenge to wild fortune, this collection of stories depicts a rainbow of human experience. The characters are funny and dark and will never fail to surprise you.


About the Author
                            Roald Dahl was born in Wales and served as a fighter pilot for the Royal Air Force rather than going to college. Some of his earliest writing involved his most exciting missions as a pilot during World War II. His first novel was written for Walt Disney but was not a success. Then he wrote Someone Like You, a short story collection for adults, which became a bestseller, and his career took off from there. He became successful with children’s literature when he wrote James and the Giant Peach, a story he had created for his children, and Charlie and the Chocolate Factory. He was married to actress Patricia Neal, and unfortunately passed away in 1990.
                            Many of Dahl’s books have been made into successful films, most notably Charlie and the Chocolate Factory, as well as Matilda, James and the Giant Peach, and Fantastic Mr. Fox, among others. He has won awards such as the Edgar Award for his works. His body of work is massive and acclaimed, consisting of novels, short stories published in collections and magazines, poetry, screenplays, essays, and plays.


Genre
         Alternate Format – short stories


Challenge Issues
                           Possible challenge issues in this book include murder, cruelty, death, and other dark themes. In the event of a challenge, I would consult the challenge defense file prepared for this book. The challenge defense file would include: positive reviews from credible sources for the purpose of proving merit to the challenger; negative reviews in order to inform me on what might be challenged; a written explanation of my own rationale for including the book in the collection as well as a summary of the plot; the American Library Association Bill of Rights; a review of my branch’s selection policy; and, as a last resort, an explanation of the reconsideration policy for my library and an official reconsideration form.


Curriculum Ties
                           English and Writing: short story form, dialog, prose, and tone.


Booktalk
              Who read Roald Dahl as a little kid? If you loved his weird and completely unique kids stories, you’ll love this collection of his short stories written for teenagers. There is the same element of humor and creativity, but there are darker themes all throughout that make this a fun, but not lightweight, read for an older age group. 


Reading Level and Interest Age
                                                   Grades 9-12.

Why I Included This Book
                                           Roald Dahl was one of my top favorite authors as a little kid. I didn’t even know he wrote for teenagers until I stumbled across this book, and I was thrilled to read it. Teenagers will find the same elements they loved about his younger works, but will not feel talked down to, as this is definitely not a children’s book. The stories are tightly composed and intriguing; teenagers will fly through this book and seek out more of his work for older age groups.


References
Roald Dahl. (2011). Biography.com. Retrieved from http://www.biography.com/people/roald-dahl-9264648 

Roald Dahl. (2011). Wikipedia.org. Retrieved from http://en.wikipedia.org/wiki/Roald_Dahl